Wednesday, March 23, 2011

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Algebra 1 (Prentice Hall Mathematics), by Bellman, Bragg, Charles

Prentice Hall Mathematics offers comprehensive math content coverage, introduces basic mathematics concepts and skills, and provides numerous opportunities to access basic skills along with abundant remediation and intervention activities.

  • Sales Rank: #49501 in Books
  • Brand: Pearson Prentice Hall
  • Published on: 2004-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.65" h x 1.41" w x 9.30" l, 4.05 pounds
  • Binding: Hardcover
  • 842 pages
Features
  • Used Book in Good Condition

About the Author
A regular contributor to "McSweeney's" and host of the popular Moth StorySLAM in New York, Dan Kennedy is the author of the widely acclaimed "Loser Goes First."

Most helpful customer reviews

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Very solidly written and organized algebra 2 text book.

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Friday, March 18, 2011

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Renegade: The Making of a President, by Richard Wolffe

Before the White House and Air Force One, before the TV ads and the enormous rallies, there was the real Barack Obama: a man wrestling with the momentous decision to run for the presidency, feeling torn about leaving behind a young family, and figuring out how to win the biggest prize in politics.

This book is the previously untold and epic story of how a political newcomer with no money and an alien name grew into the world’s most powerful leader. But it is also a uniquely intimate portrait of the person behind the iconic posters and the Secret Service code name Renegade.

Drawing on a dozen unplugged interviews with the candidate and president, as well as twenty-one months covering his campaign as it traveled from coast to coast, Richard Wolffe answers the simple yet enduring question about Barack Obama: Who is he?

Based on Wolffe’s unprecedented access to Obama, Renegade reveals the making of a president, both on the campaign trail and before he ran for high office. It explains how the politician who emerged in an extraordinary election learned the personal and political skills to succeed during his youth and early career. With cool self-discipline, calculated risk taking, and simple storytelling, Obama developed the strategies he would need to survive the onslaught of the Clintons and John McCain, and build a multimillion-dollar machine to win a historic contest.

In Renegade, Richard Wolffe shares with us his front-row seat at Obama’s announcement to run for president on a frigid day in Springfield, and his victory speech on a warm night in Chicago. We fly on the candidate’s plane and ride in his bus on an odyssey across a country in crisis; stand next to him at a bar on the night he secures the nomination; and are backstage as he delivers his convention speech to a stadium crowd and a transfixed national audience. From a teacher’s office in Iowa to the Oval Office in Washington, we see and hear Barack Obama with an immediacy and honesty never witnessed before.

Renegade provides not only an account of Obama’s triumphs, but also examines his many personal and political trials. We see Obama wrestling with race and politics, as well as his former pastor Reverend Jeremiah Wright. We see him struggling with life as a presidential candidate, a campaign that falters for most of its first year, and his reaction to a surprise defeat in the New Hampshire primary. And we see him relying on his personal experience, as well as meticulous polling, to pass the presidential test in foreign and economic affairs.

Renegade is an essential guide to understanding President Barack Obama and his trusted inner circle of aides and friends. It is also a riveting and enlightening first draft of history and political psychology.


From the Hardcover edition.

  • Sales Rank: #863866 in eBooks
  • Published on: 2009-05-27
  • Released on: 2009-06-02
  • Format: Kindle eBook

Review
“The first of the President Obama books–and a good one–insightful, thorough, and straight.”
—Ben Bradlee, Washington Post

“If you really want to know what happened inside the Obama campaign, this is the one book that will take you there. My jaw dropped time and time again reading details that, despite the coverage, were never revealed in the long campaign. A clear-eyed, up-close look at the campaign, Renegade is the one Obama book that should not be missed.”
—Michele Norris, All Things Considered

“A superb achievement. With an almost painterly eye, compelling insights, and extraordinary access to Barack Obama and his inner circle, Richard Wolffe’s Renegade tells the hidden, dramatic story of the 2008 campaign and also reveals much we did not know about the 44th president’s life before politics. Wolffe’s brisk, well-written narrative is fully in the tradition of Theodore White and Richard Ben Cramer, capturing a pivotal presidential contest dominated by one of the most luminous figures in modern American history.”
—Michael Beschloss, author of Presidential Courage

“Many journalists covered the 2008 presidential campaign for newsrooms and blogvilles. Not the intrepid Richard Wolffe. With gumshoe persistence he tracked Barack Obama’s historic march to victory with grace and cunning. Renegade offers a deft mix of biography, personal reflection, British wit, and old-style journalism. Destined to be a classic in its genre.”
—Douglas Brinkley, professor of history, Rice University

“Politics is a lot like basketball–complete with drives up the middle, clutch rebounding, and smart head fakes. In Renegade, Richard Wolffe takes us inside the game through unparalleled access to candidate-turned-president Obama and through his own canny eye and wit. I learned something new on practically ev...

About the Author
RICHARD WOLFFE is an award-winning journalist and political analyst for MSNBC television, appearing frequently on MSNBC’s Countdown with Keith Olbermann, 1600 Pennsylvania Avenue, and Hardball. He covered the entire length of Barack Obama’s presidential campaign for Newsweek magazine. Before Newsweek, Wolffe was a senior journalist at the Financial Times, serving as its deputy bureau chief and U.S. diplomatic correspondent. He lives with his wife and their three children in Washington, D.C.

From The Washington Post
From The Washington Post's Book World/washingtonpost.com Reviewed by Ted Widmer Given how often Barack Obama has been compared to John F. Kennedy, it makes sense that we now have a Camelot-style report on the great campaign of '08. Kennedy's election was a literary as well as a political watershed, inspiring writers whose taut and sardonic style mirrored that of JFK himself. Not long after the election, Theodore White broke big with the publication of "The Making of the President, 1960," a classic of political reporting that covered the campaign with a novelist's sense of drama and a stenographer's sense of detail. It has been imitated many times since, including by White himself, who dutifully put himself through the same paces every four years, sweating out similar books all the way through 1972 but never duplicating the caffeinated energy of the original. Despite hundreds of campaign books since then, no one else has either. More consciously than most, Richard Wolffe has now entered the Teddy White sweepstakes with "Renegade: The Making of a President." The connection is right there in the title, and from the very first words there is little doubt what he is up to. Wolffe covered the Obama campaign for Newsweek, and at times he seems to be channeling White (who had been a Time reporter), referring to his protagonist as "the candidate" and deploying short, dramatic sentences that heighten the air of mystery about the transfer of power. Wolffe's first sentence ("Election day starts, in the small hours, where the candidate has spent most of his last 626 days: on a plane."), like White's ("It was invisible, as always."), comes straight out of Hemingway 101. "Renegade" stakes an audacious claim to its own importance and largely lives up to it. Like White, Wolffe was lucky in several ways, beginning with the fact that the campaign he chose to cover was exceptionally historic. But he was also granted unusual access to the candidate, and one of the book's more interesting episodes reveals that it was Obama who came up with the idea of Wolffe's project, nudging him forward with a casual remark ("Why can't you write a book about it? Like Theodore White. Those are great books.") "Renegade" tells the whole amazing story, restating how unlikely it seemed, only two years ago, that President Obama would ever be identified as such. When the campaign started, he was 99th out of 100 senators in seniority. In 2000, he couldn't even gain admission to the Democratic convention, and his credit card was declined when he tried to rent a car in L.A. Wolffe explores all of the ups and downs of 2008, relaying anecdotes both new and familiar. There are not quite as many flashbulb revelations as I expected, beyond a horrifying glimpse into just how directionless the Bush White House was at the time of the economic collapse last fall and some provocative suggestions that the Obama marriage was in trouble around 2000, when his political ambitions were surfacing. But the book is clear, concise and well written, effectively retelling a story that still astonishes us, even after we all lived through it last year. Which is not quite to say that this is "The Making of the President, 2008." Wolffe lacks the voracious appetite for detail that characterized White's books, and he spends almost no time on the other aspirants. He also deviates from White's model of telling the story the old-fashioned way, from beginning to end. The chapters are lively and well-informed, but some continuity is missing, and quite a few state primaries are ignored or dumbed down. White spent a great deal of attention on the power structures of each region: the urban bosses who would deliver votes in return for backroom promises, the Southern overlords of the Democratic party, the fissures within the Republican Party. This book lacks that sort of comprehensive detail, focusing instead on its protagonist, who is admittedly fascinating -- but so was JFK, and White went well beyond him. No particular light is shed on the big efforts in Pennsylvania and North Carolina -- and none at all in less scrutinized places like Missouri, where Obama narrowly beat Hillary Clinton with 49 percent of the vote to 48 percent, a crucial step on the way to his victory. The chief drama revolves around Obama-Clinton more than Obama-McCain, and we are shown glimpses of the agitation that Clinton's perseverance was causing inside the Obama team. But we are told little of the genuine policy differences that separated them or of the random factors (the spike in gas prices) that also entered into the complex calculus of 2008. Still, the book will please the millions who lived and died with every test of the campaign and should satisfy a hunger to know more about the person at the center of these gravity-defying events. To some extent, Wolffe faces a problem that all writers about Obama have, namely, that it is difficult to write better about the man than Obama himself has already done. But he effectively explores the paradox of the "quiet renegade" (Obama's Secret Service handle) who rewrote all of the rules of American politics while barely breaking a sweat. Obama, the son of an anthropologist, offers gnomic observations about the political process (interestingly, he admires Ronald Reagan), keeps his head when those around him have lost theirs and retains his likeability throughout, even when complaining that all media scrutiny reminds him of a "public colonoscopy." If so, this book will signal a return to the proctologist, but only for a relatively harmless check-up. Like White, Wolffe obviously favors the man he dubs "the candidate." But to his credit, he points out the occasional imperfection (some fudging on the issues of campaign finance and NAFTA, for example) and reveals a politician ready to play very hard to win, even while claiming to be above the politics of anger. Wolffe flavors the book with his own opinions -- including the arresting thought that the intemperate sermons of Obama's then-pastor, Jeremiah Wright, might easily have been discovered before the Iowa caucus, which would likely have boxed in Obama at the start. Near the beginning of their collaboration, Obama asked Wolffe whether there would be enough drama in a story that merely reflected a successful realization of a vision ("What happens if we just had a plan and then went out and said, let's execute it?"). That, in a nutshell, is exactly what happened in 2008. But, yes, there is enough drama, and then some, in "Renegade." It is surely not the final word -- but it is as close as we are likely to get until Obama's aides begin to write their version of an extraordinary American story that is still unfolding.
Copyright 2009, The Washington Post. All Rights Reserved.

Most helpful customer reviews

77 of 90 people found the following review helpful.
Good Outsiders View, A few little known Nuggets, Badly Edited Though
By Dan Hamilton
Wolffe wrote this book at the suggestion of then candidate Obama (a story he outlines in the appendix) and was given some pretty good access to the main players during the campaign. Despite his access, it is still a (well written) outsider's view of the Obama 2008 campaign - you are not going to find Obama or his staff overtly trashing people - they knew when they were talking to Wolffe he might eventually write a book about it. (my favorite little nugget from the book - that Obama loved this picture)

If you followed the Obama campaign with any depth, many of the "insider tales" discussed were either covered in the press or blogosphere, but for the casual person, Wolffe's description of the Obama campaign will be a revealing account of some of the behind the scenes motivations and decisions the Obama campaign made.

However, the book is BADLY EDITED. It starts on election night, then jumps back and forth through time. Many of the chapters are way way too long and could have easily been broken into several chapters. Moreover, Wolffe over-relies on passages from Obama's books to fill in Obama's personal history rather than telling Obama's story in a new way.

The biggest problem I had with the book is that the chronology of the Democratic Primary is very loose - one minute Wolffe is discussing the Nevada Caucus and the next he's talking about Texas, Ohio and Pennsylvania with nary a mention that Obama ran off a consecutive win streak of 11 primaries and caucuses after Super Tuesday. What gets lost in the telling is the fact that Clinton had mathematically lost the nomination, arguably after Obama's win streak and definitely after Texas, and there is little discussion of David Plouffe's delegate strategy. Because of these omissions, Wolffe misses an opportunity to explain to those who did not follow the democratic primary in detail why Clinton's refusal to concede and her campaign tactics after March 2008 upset so many Obama supporters. You will not find the "inside baseball" discussion of delegates, super delegates and such that seemed to dominate the cable news coverage throughout the spring of 2008. The delegate story was badly reported during the election and Wolffe misses an opportunity to set the record straight. I suppose we will have to wait for Plouffe's or Axelrod's book to hear that tale.

Despite these flaws it is definitely worth a read....

130 of 156 people found the following review helpful.
A deep, complex, marvelously written, humorous and thought-provoking book.
By Yesh Prabhu, author of The Beech Tree
Written with a reporter's keen eye for observation, a commentator's penchant for analysis, and the affinity and fondness for humor of an anchorman of late night shows, "Renegade: The Making of a President", a biographical book on President Obama, is a joy to read. Even though this book is based mostly on information gathered by the author during Mr. Obama's campaign for President, it reads like a biography of President Obama because the author has chosen to include a lot of biographical information also.

Interspersed with humor and witty comments throughout the book, the book is a joy to read. For example, when Obama decides to offer the job of Secretary of State to Mrs. Clinton, one of Obama's senior aids says: "There was a lot of encouragement from inside the Senate to get her into this job. They wanted her out of there."

Unlike several of his former colleagues in the senate, Obama holds no grudges and he tends to forgive people: "His staff opposed the idea for the most part, arguing that Clinton would never be truly loyal. But Obama was willing to leave the primaries behind, including his own strong feelings at the time. "I don't hold grudges," he told his aides. "I don't worry about the past. I'm concerned about what happens now. If she can help me and Bill Clinton isn't too much of a liability, we should seriously look at this."

The word "Renegade" refers to the code word the Secret service used for candidate Obama. I have no doubt that the code has now been changed. Those who have read President Obama's two autobiographical books, "Dreams from my Father" and "The audacity of Hope" will get a deeper insight into the President's life, beliefs, philosophy and character. How his work as a community organizer has influenced his thoughts, ideals and beliefs is explained here very lucidly.

"Renegade: The Making of a President" is a complex, marvelously written, deep, humorous and thought-provoking book.

39 of 48 people found the following review helpful.
Unexpected Twist at the End
By K. Wray
Normally, I wouldn't confess my political leanings in a review but it seems fair in this context. I was/am an unlikely Obama supporter -- one of those independents/left wing Republicans described in this book. After intensively studying the issues for a couple of hours I decided to vote for Obama early on because I looked around and noted that What We Were Doing Wasn't Working -- a phrase that I found effectively ended most political arguments.

The good news is that my parents are still speaking to me, although they are careful not to let it get out to their friends.

I thoroughly enjoyed this book until the end when I felt it got, for want of a better term, "mushy". Obama was portrayed exactly as I perceived him -- decisive, ethical, brilliant and most of all steady. In the final chapters, all of the sudden it felt like the author decided to give the President wiggle room on his positions under the heading of "pragmatism." I have had numerous discussions over the last year with relatives -- mostly older-- who characterize the President as a Marxist or a socialist, to which I have always replied "Oh, I hope you are wrong."

I had the same reaction at the end of this book -- I so hope Mr. Wolffe's characterization of President Obama as a slightly different man than the candidate is just wrong. Too many of us have invested too much hope in the President's commitment to change the tone of politics -- dashing those hopes would arguably be as destructive to this country as the absurdity of Iraq.

Overall, a well written book that deserves to be read very carefully.

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Tuesday, March 15, 2011

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Before there was Game of Thrones, there was Beowulf...
 
SONG OF BATTLE AND KINGS
 
Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable—reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.
 
Translated and with an Introduction by Burton Raffel
and with an Afterword by Roberta Frank

  • Sales Rank: #71098 in Books
  • Brand: Raffel, Burton (TRN)
  • Published on: 2008-06-03
  • Released on: 2008-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.81" h x .50" w x 4.19" l, .20 pounds
  • Binding: Mass Market Paperback
  • 176 pages

About the Author
Translator Burton Raffel has taught English, classics, and comparative literature at universities in the United States, Israel, and Canada. His books include translations of Beowulf, The Complete Poetry and Prose of Chairil Anwar, From the Vietnamese, Ten Centuries of Poetry, The Complete Poetry of Osip Emilevich Mandelstam (with Alla Burago), Poems from the Old English, and The Annotated Milton. Mr. Raffel practiced law on Wall Street and taught in the Ford Foundation's English Language Teacher Training Project in Indonesia.
 
Roberta Frank, Marie Borroff Professor of English and Linguistics at Yale University, works in all aspects—literary, historical, and archaeological—of early England and Scandinavia. She has written widely on Beowulf, including “A Scandal in Toronto: The Dating of Beowulf a Quarter-Century On” (2007).

Excerpt. © Reprinted by permission. All rights reserved.

From John McNamara’s Introduction to Beowulf

 

Even more perplexing is the question of values and beliefs in the poem. The world of Beowulf is the world of heroic epic, with its legendary fights among larger-than-life figures, both human and monstrous, its scenes of feasting in great beer halls presided over by kings, its accounts of bloody feuds trapping men and women alike in cycles of violence, its praise of giving riches to loyal followers rather than amassing wealth for oneself, its moments of magic in stories of powers gained or lost—and over all, a sense of some larger force that shapes their destinies, both individual and collective. Readers have often looked upon this long-gone heroic world for a glimpse of a pagan past in Northern Europe before Christianity was brought by foreign missionaries, yet the poem is filled with references to the new religion and the power of its God. This tension between the ancient past and what was, in the time of the poet, a new worldview disturbed many romantic and nationalistic critics in the nineteenth and early twentieth centuries. They sought in Beowulf the origins of Germanic, including Scandinavian, culture—or at least clues from which that culture could be reconstructed. Yet many were for the most part frustrated, for they saw the epic of Northern antiquity “marred” by the intrusions of foreign beliefs and values, such as the Christianity imposed by missionaries from the Mediterranean South, and equally “marred” by the fantastic fights with monsters in the center of the poem, while the historical materials that most interested them were placed on the outer edges. In this view, the poem simply was not the poem that it should have been.

 

However, the great work of Friedrich Klaeber, and especially the influence of Tolkien, cited above, would change all that. In recent times, scholars have not only stressed the Christian element as integral to the poem as a whole, but they have spent enormous energy in ferreting out its sources and functions. All of which brings us back, not just to the question of the poet, but more importantly to the question of the audience. After all, the poet was composing the work for a community that already shared certain core values, though those values appear at times to emerge from a moment of cultural transition between the memory of the old and the power of the new. So, once again, we are faced with complexity, and attempts to reduce Beowulf to some single, or at least predominant, worldview cannot explain the creative tensions in this complexity.

 

Yet there are further questions about audience. Did it consist, as some scholars have proposed, of people so well versed in Christian teachings, and even in learned theology, that it would have been a monastic community? The answer is by no means clear. We do have the famous letter from Alcuin to the monks of Lindisfarne (797) enjoining them not to include secular heroic narratives in their entertainments. But we also have the even more famous story of the poet Caedmon in Bede’s History of the English Church and People (731), which shows the members of the monastery at Whitby singing narrative lays, while accompanying themselves on the harp. Their lays must have been secular since it was only after the miracle of Caedmon’s poetic inspiration that Christian biblical narratives were set to traditional Anglo-Saxon poetic forms. Such a community would not only house scholars, as well as monks with considerably less education, but also the monastic familia was made up of all the lay people—men, women, and children—who occupied and generally worked the lands surrounding (and dependent on) the monastery.

 

Our modern view of medieval monasteries has been shaped by later reforms, in which walled structures often shut reclusive monks in cloistered protection from the temptations of the larger world. But in Anglo-Saxon England, the monasteries were generally open to the social world, and the Rule of St. Benedict lays great stress on the need to extend hospitality to all who come to the community. We also have depictions in monastic works, such as lives of the saints, of storytelling events that included monks and laypeople alike. Thus, even if one were to claim that Beowulf was aimed at a monastic audience, it is clear that such an audience would most probably include many who were not monks. And, of course, one need not postulate a monastic audience at all in order to account for the Christian element in the poem. For the dominant ethos of the poem is a celebration of the values of heroic society, and while the poet-narrator’s comments often reflect a Christian point of view, the heroic values in the poem are in themselves primarily secular. Or do we have, once again, a complex creative tension between the two?            

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9 of 9 people found the following review helpful.
A Classic! Inspired Tolkien, Lewis, me...
By Hans Olaf
It's one thing to have to read this as a classroom assignment in high school and quite another to read it for the sheer fun of it decades later.

Beowulf took on completely new meaning when I learned how it had influenced Western myth and fairy tales--and C.S. Lewis and, more to the point, J.R.R. Tolkien. And it's nice I can get it for free on Amazon. There are of course other translations, but I don't mind the old "King James" translations of classics. They feel more mythic, even if I have to use the dictionary like a GPS to get back on track after I've been rerouted by a word that hasn't been used in a century (no problem there; I've loved dictionaries since I was a child, and looking up the origins of words we use daily without a clue of where they came from and what they really mean--or could mean).

Again, there are other versions available for free online, but Kindle is the way to go (though I use a Smartphone), because I can use the Kindle Software dictionary, and best of all, keep my devices' synchronized with Whispersync so I have the same bookmarks and notes on all of them.

Back to Beowulf--you should try it. But if you're unsure, Wikipedia will give you the gist of the book, and if you find yourself wanting more, download it. Can't beat the price--Free! (Though some books are too costly even when free, because they waste my time, which with only threescore and ten allotted me, is a much more precious commodity than money).

47 of 48 people found the following review helpful.
Not Beowulf for Dummies !
By TJam
I first read Beowulf, as did countless high schoolers over the years, in my senior English class; the experience was less than memorable, due in part to my teacher's insistence on using an Old English text. When I entered college the most vivid imagery I still had was of Grendel entering the mead hall and tearing the diners limb from limb.
Had I been able to also read the text in modern English in that senior class, I would have been well-prepared to tackle the OE with a deeper understanding of how this great work acts as a foundational text for all British literature from Chaucer to the Renaissance and beyond.
Burton Raffel's clear translation allows the reader to establish a connection to the allegorical and mythological constructs without having to resort to a "Beowulf for Dummies," just to get a passing grade. I am using this book in a graduate class in Horror Text and Theory, and though I am now able to read the OE with more fluency, the accessibility of this translation situates the text in a more viable position for discussion and critical analysis in an arena populated with 20th and 21st century horror. I would recommend Raffel's Beowulf to anyone as their entree into Old English Lit.; to be read along side the original text. It takes the "horror" out of ready Horror.

0 of 0 people found the following review helpful.
Classic
By Pax Romana
"Men-at-arms, remain here on the barrow, safe in your armor, to see which one of us is better in the end at bearing wounds in a deadly fray. This fight is not yours, nor is it up to any man except me to measure his strength against the monster or to prove his worth. I shall win the gold by my courage, or else mortal kombat, doom of battle, will bear your lord away"

PROs:

* Good story

* Likeable characters

* Perfect length

* Amazing language

* Influential

CONs:

* Names of all the tribes and people can get confusing

* Insertion of monotheistic religion into a polytheistic culture takes away immersion

"There was singing and excitement: an old reciter, a carrier of stories, recalled the early days. At times some hero made the timbered harp tremble with sweetness, or related true and tragic happenings; at times the king gave the proper turn to some fantastic tale; or a battle-scarred veteran, bowed with age, would begin to remember the martial deeds of his youth and prime and be overcome as the past welled up in his wintry heart."

Beowulf is a great Epic Poem, the first of the English language (Anglo Saxon, to be exact). It is a quintessential quest: we have a hero who sets off to a foreign land on a journey to battle supernatural foes. On his way he faces difficulty and strife, but is able to overcome and achieve everlasting glory.

The translation of Beowulf is very important; I personally read 3 different translations. I started with an older translation, struggled to understand it, moved on to a more contemporary one, and my experience was improved. About half way through the second translation, I started the relatively new Seamus Heaney translation, and Beowulf become one of my favorite works of literature ever. I am now unable to read the other two translations that I started with after reading Heaney's.

That is one of the things that makes Beowulf so great - the language. It is so over the top and unique; I can't help but to be drawn to it. I will provide one simple example out of numerous possibilities. Instead of simply saying "morning came", Beowulf reads: "The hall towered, gold-shingled and gabled, and the guest slept in it until the black raven with raucous glee announced heaven's joy, and a hurry of brightness overran the shadows."

I can't help but to be captivated by such language, and it is found all throughout Beowulf. The imagery is so realistic and detailed that it paints a thorough picture in my head of what it would be like to live in around 7th century Scandinavia, complete with lute players, mead halls, and wintery landscapes.

Beowulf is set in three parts, each of which, in my opinion, improve upon the next. Beowulf's struggle continually increases, and the states are continually raised. This adds a certain amount of tension that improves the quality of the poem. The third part of the poem, to me, is simply a masterpiece with its numerous allusions to bygone times... I can truly feel the sadness of the old king who lost his eldest son which Beowulf speaks of.

While reading, I couldn't help but to be amazed at how much Beowulf influenced another of my favorite authors - J.R.R. Tolkien. This shouldn't come as a surprise, since Tolkien created his own Beowulf translation. You can find very similar themes in Beowulf and in Tolkien's works - weapons having names, people introducing themselves by naming their ancestors, lofty language, similar names (he even got the name Eomer from Beowulf) and armor/weapon types, etc. In fact, the third part of Beowulf is almost identical to the story of The Hobbit.

One of the few complaints I about Beowulf is that it can be difficult and confusing to follow all of the different tribes and the kings/soldiers of all the tribes. At first, I tried to keep them all in order, but eventually had to give up; many of the names are similar but the people are completely different and even from different time periods. Footnotes certainly help, but it still took away some enjoyment for me. My biggest complaint is the insertion of monotheistic religion (Christianity) into the Norse polytheistic culture of the time. It almost completely destroys the immersion of the story that the great language creates. There are actually entire lines devoted to praising the Christian god and bashing paganism. The characters often credit the Christian god to their victories or struggles, even though he would have been practically unknown to them at the time. It is a bit like watching a movie about ancient Greece and seeing people driving cars in the background of scenes.

Overall, Beowulf is well deserving of its placement in the Western Canon. 5/5

"You are the last of us, the only one left of the Waegmundings. Fate swept us away, sent my whole brave highborn clan to their final doom. Now I must follow them."

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Monday, March 14, 2011

[V281.Ebook] PDF Ebook Writing About Movies (Fourth Edition), by Karen Gocsik, Dave Monahan, Richard Barsam

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Writing About Movies (Fourth Edition), by Karen Gocsik, Dave Monahan, Richard Barsam



Writing About Movies (Fourth Edition), by Karen Gocsik, Dave Monahan, Richard Barsam

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Writing About Movies (Fourth Edition), by Karen Gocsik, Dave Monahan, Richard Barsam

The most succinct, practical, and affordable introduction to thinking and writing about film.

Writing About Movies offers students two books in one: a handy guide to the process of academic writing and a brief but thorough introduction to the basics of film form, film theory, and film analysis. Written by the director of the Warren College Writing Program at University of California, San Diego, and the authors of the leading introductory film studies text, Writing About Movies is the only writing guide a student of film will need.

  • Sales Rank: #14021 in Books
  • Published on: 2015-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.40" h x .50" w x 5.30" l, .0 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Karen Gocsik is director of the Warren College Writing Program at the University of California, San Diego, where she teaches first-year composition and a graduate-level training course for the program’s teaching assistants. Professor Gocsik previously taught first-year writing at Dartmouth College, where she was also Executive Director of the Writing & Rhetoric Program. In 2012, Professor Gocsik was nationally recognized by The Princeton Review as one of the “300 Best Professors in America.”

Dave Monahan (M.F.A., Columbia University) is Associate Professor and Chair of Film Studies at the University of North Carolina, Wilmington. His work as a writer, director, or editor includes Ringo (2005), Monkey Junction (2005), Prime Time (1996), and Angels Watching Over Me (1993). His work has been screened internationally in over fifty film festivals and has earned numerous awards, including the New Line Cinema Award for Most Original Film (Prime Time) and the Seattle International Film Festival Grand Jury Prize for Best Animated Short Film (Ringo).

Richard Barsam (Ph.D., University of Southern California) is Professor Emeritus of Film Studies at Hunter College, City University of New York. He is the author of Nonfiction Film: A Critical History (rev., exp. ed. 1992), The Vision of Robert Flaherty: The Artist as Myth and Filmmaker (1988), In the Dark: A Primer for the Movies (1977), and Filmguide to "Triumph of the Will" (1975); editor of Nonfiction Film Theory and Criticism (1976); and contributing author to Paul Monaco’s The Sixties: 1960–1969 (Vol. 8, History of the American Cinema, 2001) and Filming Robert Flaherty’s "Louisiana Story": The Helen Van Dongen Diary (ed. Eva Orbanz, 1998). His articles and book reviews have appeared in Cinema Journal, Quarterly Review of Film Studies, Film Comment, Studies in Visual Communication, and Harper’s. He has been a member of the Executive Council of the Society for Cinema and Media Studies, the Editorial Board of Cinema Journal, and the Board of Advisers of the History of American Cinema series, and he cofounded the journal Persistence of Vision.

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3 of 4 people found the following review helpful.
Told me what I needed to know
By Kellinajewel
I needed this book for a humanities course for film appreciation and I just needed to know some vital facts about the world of film, editing, sound, mese en scene, etc. This book contains all of that information in a short, well-written, paperback version of the facts. Great price!

1 of 1 people found the following review helpful.
short book, bought it for class
By Jen-Yu Fu
Short book bought it for Film class in college and it was inexpensive. Also the writing in the book, unlike most of these guide books are short clear and concise.

1 of 1 people found the following review helpful.
Great book!
By Christina Owen
Great book; worth the full read, especially if you are taking a film class.

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Saturday, March 12, 2011

[B215.Ebook] Download PDF The Victorian Frame of Mind, 1830-1870 (Yale Paperbound, Y-99), by Walter E. Houghton

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The Victorian Frame of Mind, 1830-1870 (Yale Paperbound, Y-99), by Walter E. Houghton

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The Victorian Frame of Mind, 1830-1870 (Yale Paperbound, Y-99), by Walter E. Houghton

“It is now forty years,” Walter Houghton writes, “since Lytton Strachey decided that we knew too much about the Victorian era to view its culture as a whole.”  Recently the tide has turned and the Victorians have been the subject of sympathetic “period pieces,” critical and biographical works, and extensive studies of their age, but the Victorian mind itself remains blurred for us—a bundle of various and often paradoxical ideas and attitudes.  Mr. Houghton explores these ideas and attitudes, studies their interrelationships, and traces their simultaneous existence to the general character of the age.  His inquiry is the more important because it demonstrates that to look into the Victorian mind is to see some of the primary sources of the modern mind. 

  • Sales Rank: #320302 in Books
  • Published on: 1963-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x 1.08" w x 5.00" l, 1.00 pounds
  • Binding: Paperback
  • 486 pages

From the Back Cover
'It is now forty years, ' Walter Houghton writes, 'since Lytton Strachey decided that we already knew too much about the Victorian era to view its culture as a whole.' Recently the tide has turned and the Victorians have been the subject of sympathetic 'period pieces, ' critical and biographical works, and extensive studies of their age, but the Victorian mind itself remains blurred for us--a bundle of various and often paradoxical ideas and attitudes. Mr. Houghton explores these ideas and attitudes, studies their interrelationships, and traces their simultaneous existence to the general character of the age. His inquiry is the more important because it demonstrates that to look into the Victorian mind is to see some of the primary sources of the modern mind.

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12 of 34 people found the following review helpful.
Not what I expected
By Reader
I am currently studying the Victorian period and bought this book hoping to explore, in greater depth, the social aspects of the Victorian culture. This book has a more philisophical approach than I expected or would have preferred. I did not get a clear picture of the social dynamic of the victorian people - rather I had questions thrown at me left and right: is there a god; are humans naturally good or bad and on and on. These are not things that interest me and reading about them was certainly not my objective in selecting this book. This book is great if you're interested in philisophy and and you'd like to explore mindsets of different periods. I was hoping to read about social issues: the way Victorians were affected by them and how they lived as a result. This book - as is the case with many philisophical books - gives more questions than answers. The author's style of writing was also a turn off - he quoted too much and the things he quoted were unnecessary: he could have easily used his own words and spared me the agony of realizing that I was sifting through a bunch of verbose crap. The only reason that I am so negative about this book is because I have seen better and I expectged more of this book. For my purposes this book was unhelpful and a waste of time. Many of the philisophical points made are ones that would logically be attributed to these people when learning the social history of the Victrian era. It is not necessary to read this book to grasp the Victorian mindset. This book is good for people who enjoy a philisophical format.

29 of 29 people found the following review helpful.
A Monument of Intellectual History
By oh_pete
First published in 1957 with the intent to show some of the roots of the "modern mind" (which was then still recovering from McCarthyism), Walter Houghton's book more than accomplishes its stated goals. THE VICTORIAN FRAME OF MIND is divided in to three parts in which Houghton examines Victorian emotional, intellectual and moral attitudes. He bases these discussions on the premise that 1830-1870 was an "age of transition," and that the Victorian English were the first to think of their own time as "an era of change FROM the past TO the future."
The Victorians found the pace of their life compared to that of their grandfathers to be inordinately fast, they both lamented and welcomed the breakdown of old regimes and the coming into its own of the Industrial Revolution. Darwin's theory of evolution made thousands of them quake in their boots--even though so many of them were raised on a wrathful God more than a loving God, the prospect of no God at all sent many running for the metaphorical hills. Throughout the book, Houghton extensively quotes the Victorians themselves (e.g. Ruskin, Arnold, Carlyle, Charles Kingsley) and it is shocking and uncanny how many times what was written a good 150 years ago resembles what you might find in the press and literature of today. This from 1851: "everybody has his own little ISM . . . by which the country can be saved." How about this line from Carlyle's PAST AND PRESENT: "we have profoundly forgotten everywhere that Cash-payment is not the sole relation of human beings."
A key to understanding how Victorians thought about themselves and their world, Houghton points out, lies in accepting the many contradictions and tensions of the age, most importantly their overwhelming optimism balanced against their high level of anxiety. Of the book's fourteen chapters, particularly interesting and provocative are those on "The Critical Spirit--and The Will to Believe," "The Commercial Spirit," "Dogmatism," and "Hypocrisy."
Houghton admits from the start that he's out for the "general sense" of how people thought, and he narrows his purview even further to the literate classes. He therefore makes many sweeping statements that could still meet with criticism--even with the quotations he provides from the writers of the time. THE VICTORIAN FRAME OF MIND is still a useful background text for scholars, though it might put off those with ISMs on their shoulders. Moreover, it is a rich and engaging book for the student or amateur of the Victorian era, which, while different in several important ways from our own American society, is all too eerily similar when you come right down to it. Highly recommended!

13 of 15 people found the following review helpful.
The Pragamatic and Uncertain Victorians
By Doug Anderson
This book could just as well be called The Modern Frame of Mind or more generally The Western Frame of Mind for the issues that perplexed and divided the Victorians have always perplexed and divided westerners and continue to do so. Religion and Science have never been compatible realms of thought and western civilization has always been marked by an unresolved tension between the two. The eighteenth-century is often refered to as the Age of Reason but reason alone does not fulfill all of mans needs and the Romantic period that followed marked a return to faith and feeling. The Victorian Age is marked by a restless search to find a balance between the reasoning head and the feeling heart and soul. Houghton sees the English as a very pragmatic people and though he is careful to show that on no issue did any two Victorians think alike, he does show that the English shared certain habits of mind. Houghton does not mention Nationalism by name but that word was constantly in my mind as I read this book for Houghton shows that the English were aware that they shared certain characteristics with each other which made them distinct from say the French. After 1789 the English saw the French as nation destroyers while they saw themselves as nation builders -- the fact that they defeated the French and presided over the building of the largest empire the world had ever known made them acutely aware that they were part of a special breed. The most famous men of the age did not merely speak to the English masses but preached to them -- and that tone and style of speaking is perhaps even more important and revealing than the actual substance of what they were saying for the English felt they were on a mission. Precislely what kind of mission they were on was impossible to say with any certainty but for a spell the Victorians felt they were a model nation and thus the nation in the best position to mold other nations. This confidence or arrogance peaked around mid-century and by centuries end Englands moment had passed as other nations(USA & Germany) began to dominate the world stage. Historians explain empires in a number of ways, Houghton however is not the kind of historian to make any sweeping generalizations. How such a small island nation could come to rule the globe is something he never tries to answer. He confines himself to analyzing the Victorians patterns of thought for it is the Victorian personality that captures his interest. This is the kind of thoroughly researched book(Houghton quotes from every major text of the era) that gives you a look into the workings of a half dozen exemplary personalities and how they worked through the issues of the day for themselves. Houghton gives extended consideration to the works of Carlyle, Ruskin,Arnold, Mill, Tennyson, Browning, Dickens, &Eliot but he quotes from other lesser lights as well. My personal favorite from this era is John Stuart Mill and the man who introduced the pragmatic Victorians to French Fiction, Walter Pater. Houghton's strength is when he concentrates on the men and women of letters but he is slightly less successful when he deals with what life was like for the average Victorian. Houghton portrays the English as a people in search of a creed and the writers of the age as men who tried to fashion a creed for them. For me the men of letters come across loud and clear but I wanted more concerning the life of the common man and woman ie how many Victorians actually read Carlyle, Arnold etc.....
Also recommended: Asa Brigg's Age of Improvement(this classic scholarly 500 page book is especially good at dealing with economics, social dynamics, and the goings-on within Parliament) & G.M. Young's Portrait of an Age(this 200 page book especially good at giving you an overview of the entire age-- Young's approach is less scholarly than modern students might be used to but he integrates a lot of information into a short and immensely readable book).

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Friday, March 4, 2011

[R480.Ebook] Ebook A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

Ebook A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

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A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce



A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

Ebook A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

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A Photographic Atlas for the Microbiology Laboratory, by Michael J. Leboffe, Burton E. Pierce

This full-color atlas is intended to act as a supplement to introductory microbiology laboratory manuals. It is not designed to replace them, nor is it intended to replace actual performance of the techniques. Rather, the photographs are supplied to help with the interpretation of results.
The third edition of the Photographic Atlas for the Microbiology Laboratory is one of the best selling microbiology books in the higher education market. The authors have built on the success of this book by making significant improvements for the new edition. Some of the changes for the fourth edition include:

A new art program designed to increase student understanding of important concepts
A new "Introduction" chapter provides context and background information for the new microbiology student
Re-organized content to reflect the "process" a working microbiologist would follow to identify an unknown organism
Three new chapters covering the three domains: Bacteria, Archaea, and Eukarya
New photographs, re-scanned and or re-imaged photos and new photomicrographs that match more closely what students are likely to observe in the laboratory
A complete redesign that should allow the student to better access the material

This atlas can accompany and augment any Microbiology textbook. It is designed to be of particular value to students in a laboratory situation and could either accompany a laboratory manual or, in certain courses, it could be used in conjunction with Exercises for the Microbiology Laboratory, Fourth Edition. to provide students with a full-color, affordably priced lab manual. 3-hole drilled.

  • Sales Rank: #35546 in Books
  • Brand: Brand: Morton Publishing Company
  • Published on: 2011-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .50" w x 8.90" l,
  • Binding: Loose Leaf
  • 264 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

9 of 9 people found the following review helpful.
Excellent Book for the Microbiology Student
By Cameron
This book is a fantastic resource for the microbiology student. The plates are beautiful and the captions are fantastically detailed. Especially important and impressive is the background text and the plates that describe the metabolic pathways that the various tests and growth media exploit to bring about their results. This book is actually as much of a chemistry refresher as it is a microbiology textbook and lab book all in one. Seeing the chemical plates really makes you appreciate your chemistry courses again.

Also very important are the clear and concise test result tables and captions under the plates. These provide a simple and easy-to-understand means of interpreting the various tests that you will perform in your microbiology lab. In a sense, I could say that a textbook isn't really needed for a microbiology course. If your instructor provides good presentations in your lectures, all you really need is this product for your lab assignments.

I highly recommend this text both to professors and students.

8 of 8 people found the following review helpful.
A must have in the lab!
By Shelby
I was skeptical about purchasing this as it was only a suggested textbook for my Clinical Microbiology class, but it was definitely worth the few extra bucks. It is a great resource for all things micro! It has been very useful in studying for tests as it has great descriptions of different media, beautiful pictures, and is very well organized.

8 of 9 people found the following review helpful.
Great for school
By Tiffany Salisbury
This book is very helpful with my class as far as getting a better look at what we're studying. It also is very detailed in the pictures and the functions of the bacteria and other micro organisms. A lot of people in my class use this book as well.

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